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EXHIBITION

Punk Lust: Raw Provocation 1971-1985

The Museum of Sex presents Punk Lust: Raw Provocation 1971-1985, a survey looking at the way Punk culture used the language of sexuality–both visually and lyrically–to transgress and defy, whether in the service of political provocation, raw desire, or just to break through the stifling gender norms and social expectations that punks refused to let define them. The exhibition is co-curated by cultural critic Carlo McCormick, journalist, writer and musician Vivien Goldman and Lissa Rivera of the Museum of Sex, among other supporters and will be on view through November 30th 2019.

 

Featuring over 300 artifacts, including ephemera, original artworks, film, and garments worn by punk legends—the exhibition includes a wide selection from archives and private collections set within an immersive installation and soundscape. Punk lust was an expression of revolt, representing both an upheaval of what youth, beauty, and fun should look like and a more personal abnegation of self. Punk sexuality played with stereotypes, upended expectations, and confronted the latent repressive and puritanical morality within the society of spectacle. Influenced and often supported by the 1970s’ booming sex industry, Punk incubated in abandoned cities like New York, London, Detroit, Los Angeles, and San Francisco, where youth culture was left unattended and given license to explore the forbidden boundaries of casual contact in an era before AIDS. The young women born from punk were fearless and fierce; while the men were at once averse to the clichés of cock-rock and inflected by the prior expressions of Glam and the emergence of a radical queer culture. Punk lust was urgent, necessary, born as much from boredom as desire. Or in the words of Johnny Rotten, lead singer of The Sex Pistols: “Love is two minutes and fifty-two seconds of squelching noises.”

Curators:

Carlo McCormick, cultural critic and curator; Lissa Rivera, artist and Curator, Museum of Sex; Vivien Goldman, Punk Professor at New York University, musician, and author of Revenge of the She-Punks: A Feminist Music History from Poly Styrene to Pussy Riot (forthcoming May 2019, University of Texas Press), with British fashions curated by Young Kim, Director of the Estate of Malcolm McLaren, and a special selection of films curated by internationally exhibited artist and curator Tessa Hughes-Freeland, along with Inês Teles Carvalhal, Curatorial Assistant, Museum of Sex.

 

Artistic Director:

Serge Becker

 

Installation Design:

Micky Yaroni

 

Director of Exhibitions:

Jen Watson

 

Registrar:

Heather Ayers

 

Production:

Cletis Chatteron
Bernard Gann

 

Installation Graphics:

Joey Agostinacchio

 

Graphic Concept:

FAREWELL

 

Extended Labels:

Madison Bloom, journalist
Adam Lehrer, artist and writer

 

Lighting and Video:

Robin A. Ediger-Seto

Collections/Galleries:

Andrew Krivine; ClampArt Gallery; Collection of Camilla Saly/PunkArchiveNYC; Collection of Manic Panic/PunkArchiveNYC; Estate of Malcolm Mclaren; Fahey/Klein Gallery; Howl! Happening: An Arturo Vega Project; Image as Virus Collection / @Punkbadges; Toby Mott/ Mott Collection, London; P.P.O.W. Gallery; Ward 5B; Gallery 98 Bowery; Sonic Youth; Ron Zuckerman Collection; Stefan Streif, Germany; Edward Stapleton

 

Photography:

Adrian Boot; Bob Gruen; David Corio; Lynn Goldsmith; Fernando Natalici; GODLIS; Janette Beckman; Jenny Lens; Jeremy Gibbs; Kate Simon; Lynda Burdick; Sheila Rock; Sue Brisk; Sue Rynski; Theresa Kereakes; Roberta Bayley; Ruby Ray; Ray Stevenson

 

Art/Film:

Amos Poe; Arturo Vega; Cosey Fanni Tutti; David Wojnarowicz; Derek Jarman; Gee Vaucher; Jamie Reid; Jane Sherry; Jimmy DeSana; Linder Sterling; Ken Tisa; Marcia Resnick; Mark Morrisroe; Michael Intriere / Nervous Gender; Pat Ivers & Emily Armstrong / Go Nightclubbing Archive; Raymond Pettibon; Richard Kern; Scott B & Beth B; Vivienne Dick

 

Fashion:

BOY; London Leatherman; Malcolm Mclaren and Vivienne Westwood; Maripol; Rita Daniels

 

Date

November 29, 2018