museum of sex

233 Fifth Avenue, New York, New York
Sunday - Friday: 11am - 6:30pm
Saturday: 11am - 8pm

Sex Among the Lotus

Lotus
On view March 18, 2004 through January 30, 2005

As Chinese civilization evolved during the first millennium BC, two distinct, yet complementary philosophies shaped Chinese culture – Daoism and Confucianism, both that addressed sexuality.

Daoist sexual practice stresses the balance of the primordial energies of the universe – the yin and yang. Sex plays an integral role in one’s search for immortality. Confucianism looks at sex more pragmatically. Its most important purpose is to produce sons, ensuring the continuity of the family. lotus GalleryWhile not mutually exclusive, both philosophies caused social and cultural tensions and divergent norms of behavior throughout China’s long history.

Sex Among the Lotus: 2500 Years of Chinese Erotic Obsession provided visitors with a sweeping survey of Chinese erotica – from erotic Bronze Age poetry and tomb tile with explicit imagery dating from the 2nd century BC to the sexual excesses of the Emperor and his Court and the latest pornography hot off the commercial presses.

Throughout the dynasties, sex was considered a natural and essential act. In fact, sex and nature are synonymous, sharing the same word “xing.” Therefore, nature’s outdoor realm provided couples with the most satisfying settings for sex, in both fact and metaphor.

manualFrom the earliest times, men were instructed to have frequent intercourse to ensure a long and healthy life. Third century Chinese sex manuals are concerned with the balance of yin and yang through constant sexual intercourse with multiple partners. Men were instructed to satisfy a woman to orgasm, but refrain from ejaculating. By conserving their male yang force, they were encouraged to emulate the mythical “Yellow Emperor,” who became immortal after having intercourse with 12,000 women!

Women’s feet have been the focal point of Chinese erotic obsession for the last 1000 years. The practice of foot binding, which reportedly began with the 10th century Imperial Court, eventually spread to the general populace. A woman’s “golden lotus” feet (no longer than five inches) represented her discipline and desirability, securing a good marriage. foot bindingPracticed for and by women, a mother bound her little girl’s feet with tight strips of cloth, restricting their growth and reshaping them into the ideal “lotus bud” form. For centuries, the tiny bound foot was considered the most erotically charged part of the body.

In Shanghai, beauty pageants for prostitutes became the rage. First held in 1882, the pageants focused great attention and reward on the beauty of a woman’s foot.

When the Communists came to power in 1947, they made sex a sin. Intercourse outside of marriage was a punishable crime. Foot binding was outlawed, brothels were shut down, sexual materials were confiscated, and the publishing of erotic literature was banned.

While China stands on the verge of yet another sexual transformation, Sex Among the Lotus placed these exciting social developments in the context of the country’s long history of erotic obsession.

We wish to thank the following corporations for their support in the development and presentation of this exhibition.

Exhibition Credits


  • Curator, John E. Vollmer
  • Curatorial Consultant, Liana Zhou
  • Researchers, Matthew Barrick, Ryan Chaney
  • Academic Advisors, June M. Reinisch, Ph.D., Beverley Jackson
  • Special Advisors, Liu Dalin Glenn & Judy Roberts
  • Exhibition Design, Casson Mann
  • Architectural Design, AMP
  • Graphic Design, Pentagram
  • Interactive Installations, Small Design Firm
  • Video Editing/Installations, Fish Media Inc.
  • Website Design, Entropy8Zuper!
  • Lotus Photograph, Doris Mitsch
  • Special Appreciation:
    C.V. Starr East Asian Library, Columbia University
    The Sidney D. Gamble Foundation
    Edmund Li, Reich + Petch Design International
    Richard Rosenblum Family Foundation
  • Public Relations, Lisa Hanock-Jasie
  • Graphic Design, Willy Wong
  • Translation, Xiaomin Zhang
  • Audio Production, Matthew Barrick
  • Audio/Visual Design & Integration, George Johnson
  • Webmaster/Graphics, Susan Lebovitz-Gluck

Lenders

  • Anonymous (2)
  • Bata Shoe Museum
  • Alberto Manuel Cheung
  • China’s Museum of Sexual Culture
  • Don Cohn
  • Vincent Comer
  • Gary Dickinson
  • Dr. John Fong
  • Edie & Joel Frankel
  • Dodi Fromson
  • Chris Hall
  • Beverley Jackson
  • The Kinsey Institute for Research in Sex, Gender, and Reproduction
  • Reagan Louie, courtesy Von Lintel Gallery
  • Moke Mokotoff, courtesy Asian Art Inc.
  • Mutter Museum
  • Myrna and Sam Myers
  • June M. Reinsich, Ph.D.
  • Jon Eric Riis
  • Glenn Roberts
  • Ruth Chandler Williamson Gallery at Scripps College
  • The Schloss Collection
  • Michael Weisbrod, courtesy Weisbrod
  • Chinese Art Ltd.